Skip to content
Search

Latest Stories

Reality TV Is Turning Us Into Armchair Psychologists
Illustration by Mark Paez

Reality TV Is Turning Us Into Armchair Psychologists

At the height of Love Island USA season 7, new episodes were only half the entertainment. As each one aired, the fun came with recapping, discussing and dissecting the Islanders’ every move on social media. But that conversation quickly went south, as some viewers began diagnosing contestants like Huda Mustafa with borderline personality disorder (BPD). As Mustafa’s relationship with Jeremiah Brown shifted from lovey-dovey moments to screaming call-outs, more and more people piled on with amateur commentary. And in the era of armchair psychology, Love Island contestants aren't the only reality stars under this kind of scrutiny.

With social media breeding a new kind of fan culture around surveillance-based reality shows like Love Is Blind, Big Brother, The Ultimatum and Love Island, a different entertainment experience has emerged. Audiences don’t just watch people on reality shows anymore; they try to diagnose them.


On Reddit, Threads, TikTok and X, posts dissect contestants’ attachment styles, speculate on personality disorders or note signs of trauma responses. Stans and at-home commentators throw around psychological buzzwords like “gaslighting,” “avoidant,” “love bombing” and “narcissist,” assigning them to the behavior of complete strangers. But they’re only seeing a small slice of these people, who are often being hyper-performative or cast as a certain archetype like “The Villain.” There’s also editing — reality television’s not-so-secret weapon — which purposefully makes it so that we don’t see the nuances of a person or situation. So how do viewers truly know whether someone actually has or is experiencing one of these issues? And why are they so quick to judge?



Then, there’s the manipulation factor. Reality shows often rely on 24/7 filming and social isolation, which heightens drama and creates unrealistic scenarios where things play out in ways they typically wouldn’t. Placing participants in controlled environments, they amplify conflict and foster messy interactions between participants. In Love Is Blind, for example, carefully selected contestants are isolated from the outside world, proposing marriage based on emotionally charged conversations before seeing their partner for the first time. Then, when things go sour, viewers are quick to diagnose: She has anxious attachment. They’re a narcissist. There’s so much trauma bonding.

Sometimes, they’re right, but there are also dangers to doing this without proper expertise. Not every toxic moment is narcissistic abuse, and not every tear is trauma. However, over-identification with the exaggerated moments shown on reality TV has still led to people diagnosing these strangers and, at times, themselves and others. Of course, there’s no issue with being self-aware or a concerned friend, but this can unintentionally lead to bigger issues. According to experts, armchair diagnoses can cause unnecessary stress and anxiety, delay proper intervention, increase stigma and diminish the experience of those who’ve survived true psychological abuse.

But while some of this analysis is certainly shallow or misinformed, it also reflects a deeper cultural shift. In some ways, reality TV has become a mirror, reflecting viewers' own emotional patterns back at them. By labeling and analyzing someone else’s behavior, viewers are able to create emotional distance while also gaining tools to understand their own patterns better. For many people, watching a castmate spiral on national TV can be the first time they recognize a behavior in themselves. For example, seeing a contestant repeatedly forgive bad behavior in the name of “love" — or even “like” — may prompt viewers to ask: Do I do the same thing in my relationships?



Even with its pitfalls, the impulse to analyze others and ourselves signals something important: people are hungry for self-understanding. Though these shows are made for entertainment, the impact can be deeply personal. In a world where therapy is still expensive and inaccessible to many, reality TV can become an unlikely entry point into emotional introspection. In a way, this new way of consumption has become an unorthodox form of group therapy. But at the same time, it's worth asking if reality TV can be trusted to mediate reality.

More For You

The Wellness Industrial Complex Is Making Us Unwell
Photo by Anthony Tran

She was drinking beef organs for the “immunohealth properties.” I was drinking spirulina and feeling like a failure. How was she glowing while I was burning out? Standing next to this influencer with my grass smoothie, I wondered if I needed to be more extreme. But I also felt a familiar exhaustion — the kind that comes from trying so hard to be well that you make yourself sick.

Turns out, I was experiencing something called “wellness burnout.” As wellness expert Stefanie Michele explains, it’s the “ironic sense of exhaustion” that comes from trying to do wellness “right.” But instead of feeling better, you feel more anxious, guilty and a little ashamed, constantly comparing yourself to others and always feeling like you’re not measuring up.

Keep ReadingShow less
Mages Guild: Gathering of the Furries and Juggalos
Photo by Gunner Manley

Mages Guild is a Chicago-based label and event collective inspired by the lawless spirit of Myspace-era digital music scenes. Founded by Care Online in 2023, the project has been a champion of experimental and outsider electronic in the age of A.I.-generated slop, with a deep love of rave culture and the queer community. And with a mission that resonates with many others in the underground, Mages Guild and its gatherings have become a nostalgic portal back to an era of discovery and connection, bringing together a group of people who’ve always existed on the fringes of internet music.

Read more about what Care has to say about Mages Guild’s work, alongside a photo gallery of events like Valhek II: Gatekeeper’s Revenge and their collaboration with Tennessee's Raverfurrest, below.

Keep ReadingShow less
Emo Was the Last Genre

Today, I can go online and, in two clicks, I can find any type of music I want. I can obsess over it. I can become friends with strangers who like the same thing from thousands of miles away.

I can immerse myself in whatever I want, wherever I want, whenever I want. I can be an expert in any specific thing. I can link with people who know more about that thing than I could ever imagine. And in a couple of hours, I can become truly knowledgeable in whatever I want and look the part if I really tried. Then tomorrow, I can do the same thing but with something else.

Keep ReadingShow less
Andrea Crespi's Optical Art Bends Boundaries

"Angelica" / Cohart

Andrea Crespi is an Italian multimedia artist whose work, quite literally, bends boundaries. With an emphasis on optical illusion and strong black-and-white linework, the 32-year-old’s instantly recognizable style takes ample inspiration from surrealism, pop and street art. And the end result is a dizzying yet distinct array of work that truly feels like it’s “always in motion.”

Keep ReadingShow less
Alana Tsui Goes With the Flow
"ECKŌ UNLTD" / Cohart

Alana Tsui is a master of murals, with an incredibly distinct style inspired by every facet of her life. Known for her elegant yet impactful black-and-white linework, her practice fuses elements of her Asian heritage with the culture of her native New Zealand to create pieces that project a powerful sense of dimension and depth. So it’s no surprise that the 36-year-old has become one of the most sought-after artists in New York, collaborating with everyone from Coach to Lexus, all while retaining her signature style.

Keep ReadingShow less