Skip to content
Search

Latest Stories

Fast Fashion Has Its Hooks in Italian Youth
Illustration by Mark Paez

Fast Fashion Has Its Hooks in Italian Youth

Felix's Fashion Corner is a monthly trend report on Gen Z fashion trends and style.

In Florence, I met an elderly man named Enzo. He wasn’t too tall, with sunglasses, a newspaper and a cigar, but I stared at him in awe. I analyzed every piece of his outfit before asking him what he was wearing — most of which he didn’t know.


He was a mix of intrigued and amused as to why someone would show such interest in his outfit, which he didn’t think anything of. I knew his pants were vintage Polo corduroys from the ‘90s, dark blue but lighter at the knees and butt from all the loyal wear. His shirt was Ermenegildo Zegna, likely from the ‘70s or ‘80s, with thick vertical pinstripes in blue and white, tucked lazily yet precisely beneath a brass D-ring belt. His shoes were made of beautiful brown leather, Salvatore Ferragamos, recently purchased by his wife, Anna. It was a timeless outfit that screamed taste while only making a whisper, just like the outfits of most older Italians.

It was a stark contrast to what the younger generation seemed to be consuming, which was the same fast fashion I was seeing during the late 2010s and early 2020s in New York. It was the era of brands like Shein and H&M, where you couldn't escape seeing five pairs of the same baggy jorts with the same light wash and fake whiskering. And now, much to my surprise, I was seeing these types of clothes all over Italy.

I dedicated far too much time shopping there, seeing how the stores differed from New York, and trying to find out what people liked. It was a little unexpected, because apart from Milan and one street of thrift stores in Florence, everything was dull. It reminded me of a shitty Buffalo Exchange, but only the budget section, where fake Supreme and pre-owned Zara flourished. It made it seem like the younger generation was running away from the slow fashion of the older generations, who prioritized quality over speed and low prices.

In my opinion, the obsession with fast fashion comes down to cost, convenience and the rapid-fire trend cycle. Living in the digital age, you can buy a cheap pair of baggy jorts with two clicks of a button. And the fact that these pieces are constantly pushed and promoted through social media platforms and celebrity collaborations certainly doesn’t help.

They were major reasons why fast fashion was embraced by Americans during its earlier stages. But on-demand jorts and bandage dresses now seem to be losing their touch with younger people, especially in New York. Instead, we’re beginning to see a focus on buying secondhand, with an emphasis on vintage styles and sustainability. And while you still see cracks in this gap, it’s not like in Italy, where I saw deep crevices.

The same things that initially drew Americans to fast fashion are taking hold over there, but I also think there just aren’t as many options. Like I said, the thrift stores were lackluster, with a curation of terribly overpriced clothes that looked like they were imported from America and marked up accordingly. I remember seeing a pair of normal Carhartts — the kind you would see on Depop — with an annoying pinch at the knees that gives the pants a misleading shape. I asked for the price, expecting it to be €15-25, which would be a little less than at a New York thrift store. To my surprise, the teenager wearing a Pantera reprint shirt said €95, and I laughed, assuming it was a joke. It was not.

Everything comes down to capitalism. Between the omnipresence of digitized fast fashion and the overpriced Carhartts, it’s no wonder that fast fashion has such a grip on the youth of Italy. At least in New York, you can always find cheap second-hand items that will last you a lifetime. It’s something that a lot of Italian stores cannot say. And this is such a shame, considering how far a good vintage shirt and a pair of well-loved corduroys can take one's outfit.

More For You

The Rise of D.I.Y. Botox and Fillers
Photo via Shutterstock/AtlasStudio

It’s a quiet Friday night, and Kirstin is busy setting up her injection station. Laid out on a tray for easy access, she places an alcohol wipe and a tube of lidocaine cream next to a box containing a small syringe of cosmetic dermal filler. She takes another look in the mirror and studies her face while testing out the plunger, doing a few tiny passes onto the tray before placing the needle to her lips. “It is a bit nerve-wracking, of course,” the 24-year-old says while detailing her first-time experience. “But overall, I’m thrilled with my results.”

Kirstin isn’t a doctor or a nurse, but she is part of a growing number of people doing at-home cosmetic injectables. Through social media, they teach each other how to perform procedures typically done in doctors’ offices and licensed medical spas. They swap tips, share product recommendations and talk about their own experiences. They ask ChatGPT for advice and discuss Trump’s tariffs affecting the cost of South Korean imports. And with the help of facial anatomy charts, fake practice lips and YouTube demonstrations, they fill, aspirate and inject before posting their results online.

Keep ReadingShow less

Not too long ago, therapy meant sitting on a couch in a quiet room, across from a professional with a yellow legal pad. It was going to weekly sessions and revealing your innermost thoughts, while working with someone who spent years studying the human psyche. And now, it means lying in bed on your phone, asking an AI chatbot why you feel sad, and receiving a summary of depression symptoms from the DSM-V.

Keep ReadingShow less
Deidre Corcoran Isn't Afraid of the Dark
"Not a Thing to Hide"
Cohart

When Deidre Corcoran began to paint a year-and-a-half ago, she’d never picked up a brush and couldn’t tell you what acrylic paint was. It had taken her twenty-some years to enter her friend’s studio and start working on a canvas, but as soon as she did, something inside her changed. All of a sudden, the 58-year-old self-taught painter says that “the noise in my head went away, and I couldn’t focus on anything other than the art,” which began to occupy both her dreams and waking thoughts.

Keep ReadingShow less
'Create Whatever You Want' Shows Another Side of Adam Himebauch

From the early ’70s to late ‘80s, downtown NYC was a creative hotbed, with dozens of influential creatives working around and below 14th Street. There was Basquiat and Mapplethorpe, John Waters and Andy Warhol, as well as a German American artist named Adam Himebauch, who became an art world sensation through his impactful, large-scale paintings. Yet despite being a cult figure in lower Manhattan, the now 70-year-old has remained one of the white cube's best-kept secrets for the past 50 years — and it's about time that changes.

Keep ReadingShow less
Who Is Adam Himebauch?
Photo by Yashel

Adam Himebauch is glitching again. Right now, he’s a pixelated silhouette in a shadowy room, voice shaky from an unstable internet connection, as he talks about digital identity, perception, and blurred realities. And in many ways, it’s fitting for an artist best known for his enigmatic online personas, satirical projects, and viral performances, many of which leave his online following wondering, “Who the fuck did I just follow?”

Keep ReadingShow less