Skip to content
Search

Latest Stories

Radical Dependence Could Save the Loneliest Generation
Illustration by Mark Paez / Bernard Meninsky "Seated Woman, Head on Hand"

Radical Dependence Could Save the Loneliest Generation

For Gen Z, the so-called “third place” — home being the first, work the second — is increasingly digital. After work, after school, after errands, we log on instead of showing up. We join a stream. We scroll Instagram Stories. We reply to a group chat full of nothing but Reels.

These platforms simulate connection, but they’re ghostly in their own way. Faces behind glass. Voices without bodies. Friendships untethered from a shared physical world. The closest we often get to a “community event” is a Love Island watch party at a local bar or a Timothée Chalamet lookalike contest at a park. They’re fleeting, novelty-driven gatherings that offer a hint of togetherness but rarely the long-term glue that real community requires. And underneath it all, a new cultural mantra has taken root among Gen Z: I don’t owe anybody anything.


It sounds empowering and, in some ways, it is. It can be a necessary boundary, a shield against exploitation, a way to protect yourself from people who take and never give. But when it becomes a guiding philosophy, it hardens into something else: isolation disguised as self-respect. It turns community into something optional instead of an essential survival structure.

The truth is, building a village means being inconvenienced. It means showing up when you’d rather be in bed. Lending things you might not get back. Helping friends move their couches. Cooking extra food for someone who forgot to eat. It means accepting that relationships aren’t efficient or tidy. You won’t get equal returns every time. You won’t always feel “paid back.” But that imbalance is the point, because someone else will eventually carry you when you can’t carry yourself.

We didn’t choose this mindset entirely. We inherited a culture that prizes self-sufficiency above all else. The “capitalist grindset” isn’t just a workplace norm, but a personal identity. Free time feels wasteful unless it’s “building your brand” or improving your skills. Social time often doubles as networking. The pandemic didn’t create this shift — it just poured gasoline on it, normalizing a life where even the most extroverted among us now feel a little allergic to group plans, casual hangs, and the gentle inconvenience of other people.

Of course we don’t want to leave the house when there’s nowhere to go. Third places used to exist without a hefty price tag. A bowling alley. A diner. A park bench with friends passing around a bag of chips. But rising rents and the creeping logic that every hour should be monetized have turned these places into luxury experiences with $7 lattes and unspoken time limits.

What we’re left with is a generation fluent in the aesthetics of connection, but starving for substance. Transactional friendships. Loneliness dressed up as busy calendars. Group chats that fizzle out because nobody wants to be the one to host, to plan, to risk putting themselves out there. We can’t rebuild bowling alleys and cheap diners overnight. But we can decide that community isn’t something we consume. Instead, it’s something we can intentionally co-create, again and again, until it sticks.

Maybe the rebellion isn’t radical independence. Maybe it’s radical dependence — the messy, inconvenient kind. The kind that makes you get dressed on a rainy night to bring someone soup. The kind that keeps you at the table after the dishes are done, just because you’re not ready to leave. The kind that doesn’t measure relationships in favors owed, but in hours shared.

The kind that doesn’t keep score. It just keeps showing up.

More For You

The Czech Grotesque and How to Be Heard While Silenced
Photo and editing by Carson Aft

Prague, August 1968. Soviet tanks roll through the streets. In a cramped studio near the Vltava River, sculptor Karel Nepraš bends wire into skeletal frames, wraps them in fabric, and paints them an aggressive red. The result is Large Dialogue (1966): two figures locked in conversation, except they're skinless, monstrous, utterly wrong. Their cavities gape. Their proportions scream.

In criticizing the regime, artists risked disappearing, but by making something that felt wrong, that screamed through its distortion, artists could speak. By the mid-1960s, a loose movement Czech critics would later call "Czech Grotesque" had figured out that under censorship, distortion could say the things words could not. Artists like Nepraš, Jan Koblasa, Aleš Veselý, and filmmaker Jan Švankmajer built a visual language where distortion was the medium. When the state becomes monstrous, make monsters and let bodies do the talking.

Keep ReadingShow less
Reality TV Is Turning Us Into Armchair Psychologists
Illustration by Mark Paez

At the height of Love Island USA season 7, new episodes were only half the entertainment. As each one aired, the fun came with recapping, discussing and dissecting the Islanders’ every move on social media. But that conversation quickly went south, as some viewers began diagnosing contestants like Huda Mustafa with borderline personality disorder (BPD). As Mustafa’s relationship with Jeremiah Brown shifted from lovey-dovey moments to screaming call-outs, more and more people piled on with amateur commentary. And in the era of armchair psychology, Love Island contestants aren't the only reality stars under this kind of scrutiny.

With social media breeding a new kind of fan culture around surveillance-based reality shows like Love Is Blind, Big Brother, The Ultimatum and Love Island, a different entertainment experience has emerged. Audiences don’t just watch people on reality shows anymore; they try to diagnose them.

Keep ReadingShow less
ChatGPT Psychosis in the Age of AI Companionship
Illustration by Mark Paez

It often starts innocently enough, with late-night chats about philosophy, deep dives into simulation theory or musings on the nature of consciousness. But for a small number of users, these exchanges with AI chatbots can take a darker turn. As tools like ChatGPT become more embedded into everyday life, mental health professionals are sounding the alarm about a rare but troubling new phenomenon. It's what some are now calling "ChatGPT psychosis," where AI interaction may intensify or trigger psychotic symptoms.

While there’s still no official diagnosis and the evidence remains anecdotal, these kinds of stories continue to pop up across the internet. On Reddit, users are sharing accounts of loved ones experiencing AI-associated delusions, often involving spiritual and supernatural fantasies. On X, prominent tech VC Geoff Lewis claims that he’s “the primary target of a non-governmental system,” beliefs that echo narratives commonly seen in persecutory delusions. Lewis stated that conversations with AI helped him uncover or “map” this supposed conspiracy, though it's unclear whether these beliefs preceded or followed his AI interactions.

Keep ReadingShow less
The Labubu as an Anti-Fashion Statement
Illustration by Mark Paez/Photos via Shutterstock

A couple of years ago, the Labubu was practically a secret. With its pointy ears and sharp-toothed grin, the Pop Mart plushie was an IYKYK obsession among fashion insiders, spotted on Birkin bags and in the front row of shows. It signaled a niche kind of cool, a playful rebellion against the seriousness of high fashion. It said, “I’m young, irreverent and fun.” And for a while, that’s exactly what it was.

Then came the boom.

Keep ReadingShow less

It’s not even 11 p.m., and the house is already trashed. Empty beer cans line the window sills, people are ashing cigarettes into plastic cups and someone’s puking in the bathroom. The floor is sticky, and the iPod DJ is playing “Gasolina,” while the host is running around with a garbage bag, frantically trying to clean up the mess. It’s all pretty average by house party standards, but in 2025, everyone still wants to relive the nights they can’t remember.

House parties these days are rare. With rising rent prices and shrinking living spaces, most people can barely afford to throw one, let alone live somewhere big enough to host. Plus, young people are drinking and going out less, preferring more intimate hangouts over loud clubs or massive gatherings. But even with these shifts, house party nostalgia is alive and well — and it’s making a comeback with Gen Z.

Keep ReadingShow less